
I'm not easy to frighten, but I got gooseflesh several times this week. Yesterday I saw this doll, which belonged to my grandmother, sitting behind our front door. It's been there for quite some time, but I didn't really notice it until yesterday. It made me do a double take. Few things are creepier than those unmoving doll eyes and that angelic doll face. I took this picture because the doll creeped me out; but I found that afterwards the picture itself was creepier. The light on the doll's face and on the walls seems otherworldly, and the fact that the doll seems to be hiding behind the door only makes it worse. Who would put a doll here?
What's she doing back there?Now I'm looking over into the corner over my shoulder and seeing that she's still there. Through my 20/80 vision she looks like a blur, but I know those glass eyes are looking right at me....

Inspired by the look of the doll, I fetched the creepiest object in my house: Mr. Weeble Clown. A smiling, androgynous, big-nosed, evil clown toy that was made in West Germany in the late 1940s. He's Pagliacci and Stephen King's "It" distilled into one object. I hate that doll. If I had my way I'd sell it and be rid of it. He sits on a shelf in my sister's room, along with several harlequin type dolls. For some reason, my sister doesn't regard him as frightening. I think this may be due to her youth. She has yet to see how weird and unnerving clowns can be. I can't believe she sleeps in that room.
The black and white shots of Mr. Weeble Clown definitely scare me, more so than the doll itself. In the shot at right he almost seems animated, as if he's turning to look back at someone. And I like how that band of ligh casts a huge black shadow behind him.

"Me? I am immortal, child. I am the eater of worlds, and of children. And you are next."
J.Star brought
this wonderful site to my attention. Its focus is on dilapidated urban structures, particuarly mental hospitals in the northeast. It's an excellent site and I suggest that you look through the galleries and get creepd out and/or inspired to take photos of urban ruins. It inspired me to go out and take pictures of some of the dilapidated structures around town. I've been exploring abandoned and rundown buildings for years; poking through the rubble for interesting tid bits of junk to take home with me. The exercise was primarily characterized by looting, but also by the thrill of exploring the unknown. I had thought of photographing some of the old mill buildings in this area, but until now I lacked a decent camera.

Today, with loaner digi cam in hand, I went through the old Glencoe Mill. Glencoe Mills Village, a company community of several dozen houses on the bank of the Haw River, was established in 1880 by James Henry Holt. It was in operation from 1880 to 1954. Today, the village is inhabited by a few folks who have endeavored to restore the old mill houses to a Martha Stewart level of late 19th century livability. A small country store and outlet that sells carpet operates out of the old company store and one of the newer warehouses.
The original mill community was centered around six buildings: The old original factory (built in 1880) three warehouses/storage buildings, the company store, an administrative building, and a hydro plant (which is attached to the bottom level of a warehouse). I concentrated most of my efforts on the truly dilapidated 1880s mill building. The outer walls of this structure are riddled with holes, as if it survived a bombing attack. At the rear of the original structure is an add-on that connects it to a more modern warehouse (when I say "modern" I mean 1930s).

This is the sort of place that kids consider haunted. During the day it is somewhat creepy and unsettling to be in there, but I've never had my hair stand on end while walking around. After coming home and seeing the pictures, I did get a little unsettled, though. The images are more disturbing than what I saw with my own eyes.
In some places the floor is unstable. My intended entry point had no floor; so I was forced to crawl through a window.
The main dyeing room is lined with several large vats that look like giant pressure cookers. At the far end of the main room is a huge square pit, roughly eight feet deep, that is totally exposed. In the dark it's hard to see it. Luckily I haven't ever fallen into it. What's strange is that there isn't a single "No Trespassing" sign or sign of any sort warning those entering the building about the dangers within....

I took this shot immediately after crawling through the window into the mill. This is the main dyeing room. This end of the building is well lit because of the open windows and holes in the walls. Hanging from the ceiling are the parts of a conveyer system that moved cotton from vat to vat. There's something unsettling about this shot. I think it may be the lit windows on the right and the dark windows directly ahead.

Looking from the well-lit end of the building down into the dark. In the foreground is one of the dyeing vats.

Busted machinery and wires in an anteroom. This picture creeps me out.

A narrow space. They didn't have building codes in the 1880s.

The main entrance has no floor. Also note the gaping holes in the ceiling.

It's frustrating how you try and try to get a shot right and in the end it just comes out blurred or crappy. Well, with this shot I wasn't even trying. I snapped it real quick through a crack in a door. I'm really pleased with this shot. The roof has collapsed in this section and light is spilling in through a hole in the roof.

Nature peeking in through a hole in the wall. Much of time you don't get a scary feeling from this building since nature has begun to reclaim it. Flashes of bright green peek in everywhere. In some places there are trees growin inside the building.

The water tower.
I took many more pictures, but putting them all here would be a pain. Since I don't have a super nice premium flickr account, I dropped all of my photos with photobucket. Go
here to view all of the mill pics if you have the inclination.